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Sagnane Fatoumata

The director Apolline TRAORE paints the behavior of the "dressed bodies" in relation to women traders. For the time being, no ECOWAS country, not even its country, Burkina Faso, guarantees this African integration. All the leaders of these countries are at fault and put to the test. Integration among African women is possible and existing.

The woman is the one who knows how to bear the weight of a whole family. Along the way, in search of some happiness, the borders between African countries represent hell.

And they drool these women, often at the cost of their lives. Victims of barbarism, rape, injustice, plundered because of their goods which are so overtaxed that they can not bear the blows of the journey, although they travel to earn a living and not to lose and get lost in the banality and injustice inflicted upon them.

Each one's problem in these journeys but, all converge towards the same goal, the quest for a better life.

Even exhausted, crushed by the weight of everyday life, injustice at frontier posts, they become more enterprising than ever by making their own integration.

Four powerful women strategists will protect not only their property, but also the younger and vulnerable women without experience on these hell roads. In the group Adjara, kindergarten and enterprising reaches out to the other women of the group.

Mimi older, a regular travel ...

The director Apolline TRAORE paints the behavior of the “dressed bodies” in relation to women traders. For the time being, no ECOWAS country, not even its country, Burkina Faso, guarantees this African integration. All the leaders of these countries are at fault and put to the test. Integration among African women is possible and existing.

The woman is the one who knows how to bear the weight of a whole family. Along the way, in search of some happiness, the borders between African countries represent hell.

And they drool these women, often at the cost of their lives. Victims of barbarism, rape, injustice, plundered because of their goods which are so overtaxed that they can not bear the blows of the journey, although they travel to earn a living and not to lose and get lost in the banality and injustice inflicted upon them.

Each one’s problem in these journeys but, all converge towards the same goal, the quest for a better life.

Even exhausted, crushed by the weight of everyday life, injustice at frontier posts, they become more enterprising than ever by making their own integration.

Four powerful women strategists will protect not only their property, but also the younger and vulnerable women without experience on these hell roads. In the group Adjara, kindergarten and enterprising reaches out to the other women of the group.

Mimi older, a regular traveler becomes suspicious, but will give way to create their own African integration, between women protecting the younger. One of them will leave his skin by protecting the others.

Drama, humiliation, rape, theft, drugs, arbitrariness are commonplace between the porous African borders erected as a scam fortress …

From the technical point of view, decor, beauty, and acting, this film draws attention to the reality of our borders. To say that ” LES FRONTIERES ” is well conducted even if the suspense becomes a little heavy towards the end.

African integration is chimerical at the moment. For the guarantors of this integration are the executioners of their own compatriots. It’s a four-fold proof in ”Les Frontières”.

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